Figure 1.--These two Chilean brothers Pedro and Luis Subercaseuse, were painted by Italian artist, Giovanni Bolldini in 1887. They wear rather severe black velvet suits with Eton collars, somewhat larger than actual English Eton collars. Note one brother has a small bow.
Italian genre and portrait painter. He was born in Ferrara and educated at the
Academy of Florence. He achieved success at a young age painting portraits in London, but he moved to Paris in 1872. He was a good friend of the American painter Whistler.
Note: About the two brothers in the 1887 portrait (figure 1). They went on to lead very different lives. Pedro holding the paper became an artist and then switched to the more
sober existence of a Benedictine monk. He later built a massive monastery in Santiago. Luis followed his father's footsteps, becoming a diplomat.
Boldini was an Italian genre and portrait painter. He was born in Ferrara and educated at the Academy of Florence. I have no information on his childhood and what he wore as
He decided to pursue his career abroad. He achieved success at a young age
painting portraits in London, but he
moved to Paris in 1872. He was a good friend of the American painter Whistler.
Some of his most famous works are Portrait of a Lady and Au
Luxembourg (The Luxembourg); a portrait of Menzel (Berlin National Gallery);
and Ladies of the First Empire and Des Parisiennes (New York
Metropolitan). The portrait of the Subercaseuse brothers is a good example of his work.
It appears to have been painted while the boys were living in Paris.
The portrait of the Subercaseuse brothers painted in 1887 shows them wearing
rather severe black velvet suits with exaggerated Eton rather than Fauntleroy
collars and without matching wrist trim. The collars seems larger than in
England, perhaps this was a French fashion. The boys were presumably in Paris
when the portrait was painted. Styles like Eton suits and sailor
suits were popular in the
late 19th Century. They were commonly worn with
kneepants. I'm not sure if Fauntleroy suits and ringlet curls were popular in
Chile. I think they were probably less popular than in Europe or America.
The boys wear matching velvet suits, but none of the touches of a Fauntleroy suit.
Note that one boy wears a small bow with his Eton collar. He looks to be the
younger brother, perhaps that is why he wears the bow and his brother doesn't.
The bow though looks quite small for the 1880s.
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