 
One author describes the desire of Americans in the late 19th 
Century 
to emulate English aristocrats, or how they envisiined European 
aristocrats.
The effects were often striking. In the early 1890's a 
well-meaning group of Anglophiles called the American Acclimatization 
Society thought it would be charming if the American fauna included 
all the birds mentioned in Shakespeare. Their imported thrushes, 
chaffinches, nightingales and skylarks died out. Their starlings did 
not--hence the losing battle of many of today's cities against the 
noise and corrosive feces of flocks of millions of starlings and the 
near wiping out of several species of native birds whose nesting 
places starlings take over. A few years earlier the Reverend Endicott
 Peabody, whose strongly Yankee name belied his education in England,
 had founded in a Massachusetts township (once wiped out by King 
Philip's Indians) the famous Groton School patterned as closely as 
his zeal could manage on the aristocratic public schools of England,
 cold baths and all. He had recently been ministering to the heathen 
of Tombstone, Arizona, in its most carefree phase.  Even so the 
reaction seems excessive and had anomalous consequences on his manly 
young pupils' habits of speech and, because of Groton's instills high
 prestige, on the atmosphere of the most fashionable Northeastern 
private preparatory schools for boys. That sort of tutelage was 
limited of course, to the few whose parents could afford-and whose 
social status justified admission to-such privileges. Almost 
immediately however, the scope of Anglicization was immensely widened
 by the publication in St. Nicholas Magazine (already solidly 
acknowledged the proper reading for the Quality's children) and then 
in book form of Little Lord Fauntleroy.
This was the most widely sold work of a popular English woman 
writer resident in America since girlhood, Mrs. Frances Hodgson 
Bennett. It tells of the sturdy small son of a charming, hard-up 
American widow, whose late husband, son and heir of a real English 
earl, had been disowned by his crusty father for marrying her. 
Increasing age moves his Lordship, now gouty and crustier than ever, 
to fetch sturdy, golden-haired Ceddie (for Cedric) back to be 
educated in England as befits the progenitive heir, courtesy title 
Lord Fauntleroy. The boy's sturdily sweet disposition wins his
 lordship around to the point of reconciliation with mama, and 
everything is awfully hands-across-the-sea. The nub of the story is 
the success of the boy in making the English feel, in spite of his 
early Yankee rearing, his innate patrician qualities. The point is
 probably all the more lovingly made because Mrs. Burnett's rearing 
had been that of a petty shopkeeper's daughter in the English 
Midlands.
The worst of it was that little Lord Fauntleroy wore his 
golden hair in long curls, and the illustrations by Reginald Birch, a 
mainstay of St. Nicholas, showed him sturdily facing 
grandfather in a knee-breeched, black velvet suit with a broad white
 collar.  Reynold Birch's drawings of Little Lord Fauntleroy had as 
much to do as Frances Hodgson Burnett's text with inflicting his 
image on the American mother--and too often her son.  Many American 
mothers above a certain income level not only took him to their 
hearts but socially crucified their boy children by putting them into 
black velvet and never allowing their hair to be cut. For good or ill 
other immigrant Britons left traces on America between the Civil and 
the Spanish-American wars: James Redpath, first efficiently to 
organize the lecture branch of American show business; Alexander 
Graham Bell; Edward Weston second only to Edison as father of the 
electric industry . . . But only Mrs. Burnett could claim so deeply 
to have affected the emotional health of so many American boys.
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Created:  May 30, 1998
Last updated:  May 30, 1998
