We note many different styles of lace collars worn by boys. These were dependent to a large degree on the type of collar, There were both pin-on collars and collars done as part of a blouse. This is not always easy to discern. There are differences both in the type of lace and the shape of the collar. Some of the collars look to be more crocheded work rather than fine lace. We are not sure about the lace collars worn in the early 19th century, but photographic portaits provide us a great deal of information about the collars worn in association with Fauntleroy outfits during the late-19th century. The croched collar here, however, seems obviously a pin-on collar. Some of the collars were pure lace. These were done in various shapes. Others had only a small anount of lace, usually a lace trim or edgeding to a larger collar.
We note many different styles of lace collars worn by boys. There are differences both in the type of lace and the shape of the collar. Some of the collars look to be more crocheded work rather than fine lace. We are not sure about the lace collars worn in the early 19th century, but photographic portaits provide us a great deal of information about the collars worn in association with Fauntleroy outfits during the late-19th century. The croched collar here, howevers, seems obviously a pin-on collar. Some of the collars were pure lace. These were done in various shapes. We note rounded collars as well as many varied shapes such as multi-pointed staes. The sizes varied subsantially over time. Most of the pin-on lace colars seem to come frm the 1880s and 90s. They were commonly worn on collar-buttoning jackets. We note them being worn with and without floppy bows. Some pin-on lace collars were also worn matching sleeve cuffs.
There were also elaborate collars done as part of a blouse. There wee vaeioys collar shaps. Some were done with sailor sgyling, fron "V"s and bavk flaps. Some were square. Others were in various other shapes. These were especially popular with cut-away jackets, the style used in the classic Fauntleroy suit. These blouse collars were done in mny different sizes and shapes. This varied substantially over time. These were less likely to be pure lace collars, but many had some lace worked into them, often in the edging. Others had only a small anount of lace, usually a lace trim or edgeding to a larger collar. A good example of edging is Joe Meyers. We note them being worn with and without floppy bows.
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