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Vogue has always been fashion oriented. Few magazines have had such an impact on American fashions, especially after te purchase of the magazine by Conde Nast in 1909. He heloped direct the magazine to be the leading periodical addressing high society fashion in America. The focus has always been on women's fashions. By the 1930s, however, Vogue was giving considerable attention to children's fashions. Attention to children's fashions appears to have declined since the 1970s, perhaps the impact of the Women's Movement. Fewer women are now so concerned with children's fashions as was the case of stay-at-home moms.
Vogue along with Harper's Bazar were the important American publications for women intertested in French haute couture--high sopciety fashion. Vogue for many years payed sant attention to American fashion and domestic designers. It was only in February 1938 that Vogue first devoted an entire issue to domestic American fashion. Vogue did, however, included ads for up-scale American dressmakers such as Thurn, Jessie Franklin Turner, and Hattie Carnegie. There were also retailer's and manufacturer's ads for ready-to-wear clothes.
Vogue was founded in 1892 as a biweekly magazine covering society and fashion. It was devoted from the onset to target the higher end of the American social scale.
There were also French and British editions of Vogue. Each had their own editorial staffs and relied on local advertising revenue. Here Vogue fiffered from Harper's Bazar which devoted considerable attention to American designers fairly early on.
Conde Montrose Nast was a major force in American publishing. He was the first person to own a magazine chain. His short performance at Collier's Weekly was legendary. His purchase of Vogue in 1909 made him a major force in high society fashion and in fashionable home sewing patterns. Vogie was a minor magazine when he purchased it. Nast's business genius it a major force in the fashion industry. Through Vogue and his other publications, Nast had a major impact on magazine layout. He was the first with colored pages, the double-page spread, and the special number. major marketing inovation was to divide the United States into marketing areas. This proved advantageous because Nast realized that some products needed to be promoted on a regional basis. Nast's strategy was extremely inovative. Rather aiming at a vast national circultion, he sought to publish "class publications". Nast targeted specific groups offering exciting, timely information on arts, politics, and entertainment. Nast was the first major
U.S. publisher to focus on common or special interest magazines. Today this is the major thrust of U.S. magazines. There are magazines on topics as diverse as
wines, dance, soldiers of fortune, fishing, skateboarding, and a long list of other interests.
Vogue is another fashion magazine which offered patterns. Vogue began offering patterns in 1905. At first, however, they were not size graded. Conde Nast purchased Vogue in 1909, determined to make it the leading American high-society fahion magazine. One of the changes promoted by Nast was to expand Vogue's pattern business. Vogue patterns became a major feature of the magazine. The patterns were primarily for women's fashions.
Butterick purchased the pattern business in 1961, but retained its seperate identity. Butterick's association with Vogue after World War II helped to give the Butterick patterns a fashion cachet--especially their womens fashions.Butterrick took a
major step in 1961. They licensed the name and trademark "Vogue Patterns" from Conde Nast Publications, Inc. and purchased their pattern division. Butterick did
not, however, merge the two oprtation. They maintained separate merchandisers, designers, artists and editors. The two brands continue to be distinct and the
products still exhibit their different identity.
Women's style and fashion continues to dominate Vogue. A typical edition contains articles such as:
FASHION--"Style Fax: Neck to Toe" by André Leon Talley Talking Fashion
VOGUE'S VIEW--Tour Dufour : illes Dufour recently nabbed the top spot at Balmain. Now he's rocking the house. Vicki Woods reports
Fashion Fortitude
What's the secret behind a 50-year reign? Robert
Sullivan checks out Ellen Tracy's style and stamina.
Plus, Tracing a trend: The shining
Haute Stuff . . .
Special in-store fashion and beauty events with
Vogue
Dior's New Diva
She's been making her own jewelry since age four,
but now Victoire de Castellane is doing diamonds —
and more — for Dior. Katherine Betts reports
Boo Who?
Stocked with orange New Balance sneakers and
puffy North Face parkas, a new online store brings
global sports style to your desktop. Amely Greeven
logs on. Also, Passage to India
Fashion Fiction
By Plum Sykes
The Vogue File
POINT OF VIEW
All the Raj
Vogue celebrates fashion's return to opulence with a
fantastic voyage to India. In our traveling bags?
Embellished, embroidered, bohemian pieces — all in
brilliant color
Short Circuit
The cool, modern way to show a bit of leg:
maximum-impact shorts, from knee-grazing to
hip-high
Portraits of a Lady
On the eve of Eyes Wide Shut, John Powers asks:
What is it really like to be Nicole Kidman? The
actress, wearing the year's most opulent dresses,
was photographed in the tradition of John Singer
Sargent
Eye Candy
Everyone wants a taste of the new accessories — all
gumdrop colors and rainbow stripes
Vogue's Index
In This Issue
Vogue's Last Look
HEALTH & BEAUTY
Hollywood Headliner
The movie industry's favorite hometown hairstylist
adds "salon innovator" to her credits. Plus, Party
lines
Getting In
It can be nearly impossible to book an appointment
at the hippest salons in New York and L.A. But
even in the land of the superstylist, a few elite pros
make time for new clients
Guest Editor
Cool-girl actress Chloëe Sevigny share her tips for
looking great both on the set and on the town
Dreading It
By Veronica Chambers
. . . or how I learned to stop fighting my hair and
love my nappy roots.
Sinless Sun
Want some color — but can do without the skin
damage? Head to the beauty salon. Daisy Garnett
gets fake-tanned
Sole Revival
Whether you're wearing a million-dollar shoe or
going barefoot in the park, it's always important to
put your best foot forward. Plum Sykes reports
FEATURES
Masthead
Editor's Letter
Contributors
Talking Back
Letters from readers
Up Front
Remembering Liz Tilberis, by Anna Wintour and
Grace Coddington
Portraits of a Lady
On the eve of Eyes Wide Shut, John Powers asks:
What is it really like to be Nicole Kidman?
Witnesses to War
By Carlotta Gall and Carla Power
Their experiences have been different, but the
horrors they've seen are tragically similar. Two
journalists covering Kosovo tell of a world under
fire.
King of Swing
Thanks to Australian Patrick Rafter, tennis is sexy
again. Rebecca Johnson meets the hotshot from
Down Under
Putting Down Roots
In reviving an abandoned town house in Provence,
florist Christian Tortu also created a whole new
village life, finds Hamish Bowles
About Face It may be old-fashioned, but people still
want their portraits painted. Rebecca Johnson
searches for the perfect likeness
The Friel Thing
Lond's hot new export is the toast of Broadway.
Plum Sykes visits Anna Friel
Horoscope
By Athena Starwoman
PEOPLE ARE TALKING ABOUT
This Month
Jeremy Northam graduates from Hamlet to
Hollywood . . . Clarice Cliff's precious objects . . .
game, set, new tennis rackets . . .
Movies
Run Lola Run dazzles, and so does Juliette Binoche,
in The Lovers on the Bridge. John Powers reviews
Food
With so many restaurants forgoing reservations,
Jeffrey Steingarten finds, it's often the customers
who are the waiters
Books Mary Cantwell celebrates the short story; plus, two
auspicious debuts.
These fashionable articles never in the 1990s address childrens clothes, nor do children normally appear in the magazine. The social sections sometimes show the children of the rich and famous--but almost always in long baggy pants.
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