*** individual artists illustrating boys fashions -- Rembrandt Peale








Rembrandt Peale (United States, 1778-1860)

George Taylor II,

Figure 1.--This portrait by Remrandt Peale is George Taylor II, a descendant of a signer of the Declaration of Independence. Rembrndt's fther also fought in the Revolutionry War. Rembrandt Peale during his studiues in Paris came to dmired the refined portrait style of Neoclassical French painters. One art expert writes, "The subtle transitions in color and tone in Taylor’s head and hands reflect the impact of Gérard’s fine modeling and distinctive palette. The composition and details of this work suggest the American colonial and Federal portraits among which Peale had been raised. The setting—an open-air, stone alcove with a landscape scene—may well have been fictionalized, since similar views appeared with some regularity in American portraits of the colonial period."

Rembrandt Peale was an important American artist during the early-Republic years. He was born near present-day Richboro, Pennsylvania. He was one of the sons of Charles Wilson Peale that took up art. His fathr wasan ardent patriot and pinted Gen. Washingtom (1787). At this time, He introduced Rembrandt to Washington. Rembrant watched his father paint the future president. A decade later, while still a young, aspirant artist, Rembrant painted an aging Washington, making him look older than he was (1795).The portrait was well received, and Rembrandt had estanlish his reotation. He became one of the most prolific portrait painter, of the early-Republic. He also painted President Jefferson. He is strongly influenced by French neoclassicism after studing in Paris during his early-30s after he had already become an established artist. Here we see one of his portraits (figure 1). He became fixated on painting the difinative portrait of Washington. While in Paris he was impressed with historical painting, but found that they were difficult to sell. As a result he established the Perale Museum in Baltimore. After a decade of effort, he turned over the museum to his er Rubens and returned to portrait painting In New York City out of financiial necesity (1822). In 1831 he finally settled in Philadelphia, where he died (1860).









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Created: 1:13 AM 5/16/2026
Last updated: 1:13 AM 5/16/2026